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Olivia Taylor Dudley (2012's " Chernobyl Diaries"), strongly resembling a young Patricia Arquette, brings a committed range to the role, able to be sympathetic one minute and a coldly vindictive force the next. "The Vatican Tapes" is absorbing in spite of its general familiarity, sending Angela on a path toward hell over which she has no control. Convinced this young woman is beset by an evil higher power, Father Lozano (Michael Pena) seeks the aid of Vatican City-based Cardinal Bruun (Peter Andersson). While convalescing in the hospital, Angela is captured on surveillance video attempting to harm a newborn child in the maternity ward despite another camera showing her lying asleep in her bed. She becomes easily irritable, insatiably thirsty, grows faint at a moment's notice, and is attacked by an out-of-control raven as she rides the city transit bus. In the days after, however, live-in boyfriend Pete (John Patrick Amedori) and military father Roger (Dougray Scott) watch as her personality starts to change and the odd occurrences pile up. When Angela Holmes (Olivia Taylor Dudley) slices her finger while cutting birthday cake, she goes to get stitches but doesn't think much about it. That the picture is told as a conventional narrative in lieu of found footage shouldn't seem like a novel concept, but it sure comes off that way. It also is decidedly assured and tautly conceived on its own terms.
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Martin, is derivative of just about every horror movie involving demonic possession. Then again, the film, directed by Mark Neveldine (2012's " Ghost Rider: Spirit of Vengeance") and written by Christopher Borrelli and Michael C. If 1973's "The Exorcist" and 1999's " Stigmata" experienced a head-on collision, "The Vatican Tapes" would be the likely result.